The Peephole Cinema Brooklyn will be moving to a new location–stay tuned!

Thank you Union Docs for a fantastic year


Kinetoscopic Records 




contemporary short films and videos inspired by the earliest cinema

Program by Dan Streible (NYU / Orphan Film Symposium)

Available To View Anytime Day or Night


September 18th to December 31st


Hosted by UnionDocs Center for Documentary Art



About the Films:

Peephole Cinema exhibitions showcase contemporary media artists while also evoking the proto- and early cinema experiences of the peep show. This UnionDocs program, Kinetoscopic Records, invites a collision of the old and new, the earliest movies and born-digital works. The ten pieces replicate qualities of the earliest film shows, an incongruous variety of kinetic, flickery, silent pictures in motion, each less than a minute long.


This program’s inspiration is the recent rebirth of one of the first motion pictures ever made, Edison Kinetoscopic Record of a Sneeze, January 7, 1894 (aka Fred Ott’s Sneeze). Although its copyrighted images appeared in print in 1894, the Sneeze was not seen in motion until reanimated on 16mm film in 1953. However, only now has the entire recording been reproduced. The new Library of Congress version reveals The Sneeze to be nearly twice as long as presumed, with Mr. Ott sneezing twice in one unedited take. This is its premier public run.


The ten movies in five minutes are:

W.K.L. Dickson, Edison Kinetoscopic Record of a Sneeze

Evan Meaney, Re_Sneeze

Jodie Mack, All Stars

Joel Schlemowitz, The Invention of the Gramophone

Danielle Ash, Creature of the Gowanus

Tom Whiteside & Anna Kipervaser, Ott Gotcha

Andrea Callard, Something Medical

Bill Brand, Ornithology 4

Mono No Aware, Sneezes

Bill Morrison, Dancing Decay


Three new pieces derive directly from the Sneeze. Evan Meaney takes the new version and digitally explodes its halftone printing. Tom Whiteside (who actually collects celluloid prints of Fred Ott’s Sneeze) and Anna Kipervaser create a 16mm found footage jest, while the Mono No Aware collective made a pilgrimage-homage, traveling to the Edison Historic Site in New Jersey to shoot Sneezes on black-and-white 16mm film inside the Black Maria building.


Two others works, also born on celluloid, reference the era of early cinema. Joel Schlemowitz shot black-and-white film for his Mélièsian féerie about the Kinetoscope’s exact contemporary, the gramophone. Bill Morrison’s uncanny piece of decaying nitrate 35mm film reveals dancers (a frequent Kinetoscope subject) dancing in a pink cobweb of swirling emulsion. (It too came from the Library of Congress, but from its discard bin.)


The remaining pieces deliver a variety of arresting images for the peep show viewing context. Jodie Mack’s cameraless animation stars rapid-fire geometric forms, while fellow animator Danielle Ash creates an ethereal aerial view of an imagined Brooklyn, lit up by lengthy exposures of thousands of pinholes. Bill Brand’s dual-layered duel of abstraction and HD realism pushes the kinetic accelerator even further with a traveling matte that flutters over every frame. The medical imaging technology Andrea Callard uses in her memento mori piece pulls in yet another direction, a reminder that early cinema combined optical toys and scientific devices.


About Peephole Cinema Brooklyn:

Peephole Cinema is a “miniature cinema” collective with satellite projects in three cities: San Francisco, Brooklyn, and Los Angeles. In each city, silent film shorts are screened 24/7 through a dime-sized peephole installed in a public location that can be visited anytime day or night.  Peephole Cinema Brooklyn is run by Laurie O’Brien and hosted by Union Docs.   Guest curators are chosen every two months.